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Special schools - nurturing special talents and abilities
– Stefan Anderson widens the options
Hardly a day goes by when we are not
confronted by a tale in the press of
yet another young person who has won a
‘talent’ competition and is about to become
the next big star of the West End. There is
often a perception that these young
performers have ‘come from nowhere’.
There is sometimes truth in this, but more
often it is the result of hard work and
dedication from an extremely young age.
We are all familiar with the little girl
(and in recent years the boy) who is
desperate to start ballet lessons, or the child
who is burning to play the violin as soon as
he can fit it under his chin. This might be a
whim or it could be the first step in a
process that may lead to the stage or the
concert platform many years later. It is a
process that requires enormous dedication
and commitment from the child – and huge
support from parents and teachers.
If a child shows a particular talent in
any of the performing arts, great care must
be taken to find the best and most
appropriate teacher who can support and
develop the child’s particular skills. In the
case of dance or music it is vital that early
technical training is of the highest
standard; many young people have had
their hopes of achieving their goals dashed
because poor technical training has
hampered their development to such a
degree that it becomes impossible to catch
up at a later stage so demanding are the
rigours and the competition.
It is sad but true that many highly
talented youngsters feel like outsiders (and
are often bullied) in mainstream education
because they are perceived as ‘different’ by
their peers. These youngsters have to spend
hours of their day practising and taking
classes, which makes it harder for them to
maintain a broad circle of friends.
If you are the parent of a child aged
eight or over who is showing signs of
exceptional talent in any of the performing
arts, you should consider a school that
provides her/him with access to the highest
standard of vocational training. Full
account should be taken of the fact that
these professions are precarious and fraught
with the risk of injury or the whims of
casting agents and audition processes. This
means that the vocational training should
be accompanied by a strong academic
education which will provide the balance
required to maximise your child’s potential
and develop him/her as a well-rounded
individual who is also equipped for life
outside the artistic world.
If your job takes you away at a
moment’s notice to a country where access
to this specialist training is at best limited,
or at worst non-existent, then it makes
sense to consider one of the boarding
schools that are supported by the
government’s Music and Dance Scheme,
which was started in 1981. The diversity of
these schools means that parents and
children can choose between schools that
specialise in a single discipline (i.e. music
schools like Chetham’s or the Purcell
School), ballet schools such as the Royal
Ballet School or Elmhurst School for
Dance, or schools that offer broader
performing arts options such as Arts
Educational School, Tring Park, which
offers vocational training in dance, drama,
musical theatre and music. These schools
vary in size and location – some are in rural
settings, while others are embedded in the
heart of a city centre. Many are also day
schools and all are co-educational.
Choir schools play a significant part in
the musical life of the nation. The Choir
School Scholarship Scheme was set up in
1991 to help boys and girls from lowerincome
families wishing to train at any of
the 36 independent choir schools in
England. The scheme facilitates access by
talented children to the opportunities
available, while maintaining Britain’s
renowned choral heritage.
For each child who has a unique talent,
there is a specialist school to train, educate
and support them. It is an education that
will give them the confidence and the
versatility to achieve at a high level – either
within or outside the world of the
performing arts.
Further information For more information, visit www.madeschools.org.uk and www.choirschools.org.uk
Stefan Anderson has been Principal of Tring
Park School for the Performing Arts since
2002. He was previously Director of Music
at the King’s School, Canterbury, and before
that Assistant Director of Music at
Wellington College. His musical specialism is
choral conducting.



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